Page:Popular Science Monthly Volume 33.djvu/611

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SOME CHINESE MORTUARY CUSTOMS.
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all the sons, and wristlets of blue for all the grandsons. These are to be worn on the seventh day, and thereafter until they drop off through decay. The women must also make new red shoes for themselves, and cover them with sackcloth, and must make new mourning garments, or else sew shreds of white cotton along the seams and edges of their old tunics, to make them look like unfinished dresses that have been put on under the stress of sad circumstances.

On the seventh day after the demise, the deceased is supposed to become aware that he has departed this life, and on that day is performed the ceremony of accompanying him to the land of shades. Priests, Buddhist and. Tauist, have been engaged for a fixed sum of money, with their entertainment, tobacco to smoke, tea to sip, and at least three substantial meals. Early in the morning the sons and daughters-in-law put on tunics of coarse sackcloth. The sons wear shoes patched with linen, a small or a large patch on the toe indicating whether one or both parents are dead. They put on a tall cap of sackcloth having a wad of spirit money suspended on either side to dangle over the ears and shut out the criticisms of relatives who may be dissatisfied with their management of the funeral rites or with the quality of the repasts provided for the assisting mourners.

The Buddhist priests arrive and hang upon the white screen three pictures of Buddha, which are worshiped by the members of the bereaved family, especially by its women. Water is heated for the deceased to bathe in, and is put into a tub beside the coffin, and inclosed by a new mat. A paper towel and a complete suit of paper clothing are burned beside the coffin to furnish the spirit with suitable attire for the day's exercises. The Buddhist priests meanwhile chant an invitation to make use of the things provided. They continue to chant at intervals during the day, acting in concert with the Tauist priest, who takes the lead in conducting the spirit to hades. For one or three days and nights, according to the wealth and faith of the family, the priests continue their incantations, ringing bells, sprinkling the altar with holy water from a pomegranate-branch, and burning incense whose smoke fills the court. A plank is supported at its ends by two stools, and represents bridges. The Tauist priest, followed by the eldest son carrying an armful of copper coins, and by all the rest of the family in file carrying lighted incense-sticks, goes on a circuit through the house, court, or street, repeatedly crossing the mimic bridge. This is the exponent of the long journey made by the deceased across marshes, meadows, streams, and mountains toward the bourn from which no traveler returns. After many wearisome circuits, the priest stops and calls for the opening of the gate into hades. An assistant responds that the gate-keeper's fee