Page:Popular Science Monthly Volume 40.djvu/117

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THE ORIGIN OF PAINTING.

was pacific. Broca calls these men "peaceful hunters" and attributes a gentle character to them. He remarks that an examination of their arsenal very rarely brings out warlike arms, and that we can thus satisfy ourselves of their peaceful character. The Belgian archæologist, M. Dupont, observes that the cave-dwellers of his country had no idea of war. And, if we have a right to compare the existing savage with primitive man, we find that the Eskimo, who is nearest like him, is quiet and peaceful. The Eskimo whom Ross met on the shores of Baffin's Bay could not be made to understand what war is, and possessed no warlike weapons. While, then, we may believe that the cave men rarely raised their hands against one another, it nevertheless remains determined that they waged a bitter and relentless war against animals. Hence they rarely had occasion to exercise themselves in drawing the human form; and hence the imperfect character of their human images as compared with those of animals. As to the forms of plants, it may be remarked that the boreal flora of that epoch, not being at all threatening, could furnish little food for superstition; and no drawings of plants are found in the caves.

In short, the condition of the art of drawing with primitive man seems to be in complete harmony with the meaning which we have attributed to drawing itself, of its being inspired by belief in the existence of a material relation between a being and its image and in the possibility of acting on the first through the second. Consequently, the principle of painting can not be found in a natural tendency of primitive man to the artificial imitation of living Nature, but seems rather to be derived from the desire of subjecting that Nature to its needs, and of subjugating it. In the course of its progressive improvements, the art of drawing has gradually lost its primitive significance and original meaning, till it has become what it is now. It does not differ much, however, from what it was originally; for, while the primitive man expected to reach the living being in its image, it is still life which the civilized man seeks to-day in works of art.—Translated for the Popular Science Monthly from the Revue Scientifique.



Dr. Peters, the African traveler, believes that the Waganda, or people of Uganda, are descended from the ancient Egyptians; and some color is apparently lent to his view by the burial of their kings in mounds, the custom of embalming, and the existence of ancient rock excavations. But the Waganda might have borrowed these things from their northern neighbors. Dr. Peters observes that they undoubtedly excel every other African nation in the development of llieir intelligence, and that, in contrast to all other negro tribes, they feel the need of progress. It is believed that in the oldest of the burial mounds are interred records of the dead sovereigns that will explain the origin of the race; but at present the Waganda will not allow a search to be made.