Page:Popular Science Monthly Volume 40.djvu/657

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MUSICAL INSTRUMENTS—THE ORGAN.
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bodied, and believing himself capable of contributing to its perfection, Roosevelt entered the sphere of organ-building with love for the art, personal genius, and money to back up his ambition. Though cut off prematurely in 1889, he had succeeded in winning fame as an inventor and builder of the highest character. The instrument designated alone proves the capabilities of the house and the value of the mechanical and scientific principles which Roosevelt developed and helped to put into practical effect. Among his numerous innovations, which created considerable interest and discussion, was his arrangement of the swell effect. For instance, in a two-manual instrument of ordinary dimensions and capacity he inclosed all the pipes in a swell-box of his own construction and design, which enabled the executant to produce better nuances leading from forta to piano, or vice versa; at least, the champions of the Roosevelt system asserted these claims, while there was also a strong opposition among organists to that method of construction. I think, however, that the Roosevelt system will prove a valuable feature in time; at present it is somewhat immature and crude. Mr. Roosevelt also carried the principle into the region of three and four manual instruments. In the latter almost all the total register of tones can be brought under the influence of the swell at pleasure. This is accomplished by inclosing the various organs, solo, etc., constituting the abstract instrument, in separate swell-boxes, part of the grand organ being also partly inclosed. Apart from his original departure in the swell movement, Mr. Roosevelt introduced several notable improvements in the action of his three or four manual instruments. In the application of electricity and pneumatics to the instrument as well as in the region of tones this maker further displayed his remarkable ability. The Auditorium organ is an eloquent illustration of Roosevelt's capacity; the Garden City Cathedral instrument is another magnificent example of what the Roosevelt shop was and is capable of accomplishing. Though the late Mr. Roosevelt was the genius of the house he founded, the business is still carried on with success on the lines he laid down.

Johnson & Sons, of Westfield, Mass., are known as capable and progressive makers, destined through their past work to reach a high position in the future. William A. Johnson, the head of the business, has brought forth many inventions of value. In the region of voicing—a most important function—his son, W. M. Johnson, is regarded as an expert of the first order. Hutchings, Plaisted & Co., another Boston firm, have won considerable notice for their instruments within the past twenty years, many of which contain improvements of value, and are found in leading churches throughout the country.

The general principles of the Jardine Tabernacle organ shown