are prominent and dreamy, the cornea is bright and the conjunctiva glistening, but the natural blue-white of the sclerotic has given place to a duller tint. The nose is characterless (as far as acquired qualities are concerned), and differs essentially from the clear-cut nose of the man of active will or intellect. The mouth is the least constant feature, but it generally is characterized by a lax and flabby set of the lips. It is the sensuous mouth belonging to the artistic temperament, with certain specific characters superadded, which result from the same causes as are responsible for the fullness beneath the eye and chin.
Now, why does the mouth, which commonly accompanies the artistic temperament, suggest habits of self-indulgence? It is an essential, with every true artist, that he should follow certain spontaneous impulses. He is born, not made. He can not, like the student or the man of business, hope to excel by toiling against the tide of inclination. In his art he therefore achieves most through a species of self-indulgence; and it is too often characteristic of the artist that this drifting tendency widens and embraces other departments of life. Yet, although it may be confined to artistic matters alone, any habitual yielding to natural impulse will tend to tell its tale on the mouth.
Although the subcutaneous tissues of certain parts of the musician's face are plainly increased in bulk through sympathetic influence, one does not find that the skin itself is much altered in texture. It is, however, usually pallid, and does not exhibit the full-blooded coarseness observable in the other types which we are considering. I am inclined to 'think that the peculiarities which are generally so obvious in the hair among professional musicians are not altogether dependent upon fashion, but that here again we have evidence of trophic changes which result from mental habits. Almost every fashion of this kind, when carefully analyzed, is found to be based upon some natural physical peculiarity. All who have to do with the treatment of mental disease know how profoundly the growth and vitality of the hair is influenced by emotion; and it seems very probable that local trophic stimulation, similar to that which gives a fullness to the throat, etc., may effect typical changes of this kind also.
Passing on to the priestly class, we find many undoubted signs of special sympathetic influence upon the face. It should be understood, however, that the term "priestly" must be taken in a very broad sense. Any religious devotee with mystical tendencies, who makes much of the emotional and little of the intellectual side of religion, is liable to develop something of the characteristic priestly aspect. It is not unknown among those archenemies of priestcraft, the Quakers, although these good
