a helpless woman, that as for that, if she had been a child, but a prince, he would have killed her all the same. At another time he said, in a wild way: "I killed her because she did not work; whoever does not work should not eat, and I was not going to work for her"—a reason which would be as good for the slaughter of several million persons.
Curious and important is the remark of Luccheni that "Crispi would not have killed her because he was a thief"; an evident proof of the complete lack of moral sense in anarchists,[1] who like primitive men confound the crime with the deed, and regard criminality as a sort of merit, a seal of fraternity; which demonstrates that the anarchistic practice, if not its theory, is an equivalence of crimes.
When asked if he had never committed blood-crimes, he replied that he had never had anything to do with courts, not even as a witness—which was found to be true—but "I entertained the idea this time, and acted upon it."
Luccheni is a man of medium stature, about 1.63 metre, with very thick, light chestnut hair, stout, with dark-gray, half-closed eyes, roundish ears, heavy eyebrows, voluminous cheek bones and jaw prognatic, low forehead, very brachycephalic (cephalic index 88). He has, therefore, a number of characteristics of degeneration common to epileptics and insane criminals. On the other hand, his handwriting, with its minute characters, especially in the writing of past years, indicates a mild feminine disposition, with little energy of character.
Fig. 2.—Extract from a Letter by Luccheni.
This is especially seen in an autograph of 1896, which was procured for me by Dr. Guerini, who got it from his patient (see Fig. 2). This characteristic, which was extremely conspicuous in Caserio when he was near his crime, was also apparent in the assailant of General Rocha. I have likewise observed it to be very conspicuous in epileptics and hysterical persons; and it corresponds, according as they are in their psychical spasm or out of it, with a real double per-
- ↑ See my Delitto politico, Part III, and Gli Anarcici, second edition.
