belie the true feeling of Art in themselves, to other barbarians who belie it at second hand!—the unity of which I speak is another than this,—and is best made known to those who have not yet attained to it by examples, and by actual analysis and comprehension of existing works of Art in the spirit which we have described. Would that a man could be found who would work out this high advantage for humanity, and thereby rekindle in young minds the almost extinguished sense of Art!—such an one, however, must not himself be young, but a thoroughly tried and mature man. Until this come to pass, others may quietly refrain from the reading and study of those existing products of Art which by reason of their infinite depth are unintelligible to them, and the enjoyment of which, since enjoyment presupposes an understanding of them, is also shut off from their participation. They will find it to far better account to content themselves with Artists of another class, who take the favourite tendencies, weaknesses, and amusements of the Age under their protection; and so crowd together, within a brief season of enjoyment, what all men crave, and even actually experience, in life, although unfortunately not without frequent interruptions. And so it shall be in reality, henceforward as hitherto, whether we have accorded it our sanction or not.
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