number of economically disposed English. The French element offers the groundwork, and the English colony wears, for the most part, that half-genteel and migratory air which stamps the exiled and provincial British. They look as if they were still en voyage—still in search of low prices—the men in woollen shirts and Scotch bonnets; the ladies with a certain look of being equipped for dangers and difficulties. Your very first steps will be likely to lead you to the market-place, which is a genuine bit of Europeanism. One side of it is occupied by a huge edifice of yellow plaster, with stone facings painted in blue, and a manner of porte-cochère, leading into a veritable court—originally, I believe, a college of the early Jesuits, now a place of military stores. On the other stands the French cathedral, with an ample stone façade, a bulky stone tower, and a high-piled, tin-scaled belfry; not architectural, of course, nor imposing, but with a certain gray maturity, and, as regards the belfry, a quite adequate quaintness. Round about are shops and houses, touching which, I think, it is no mere fancy that they might, as they stand, look down into some dull and rather dirty place in France. The stalls and booths in the centre—tended by genuine peasants of tradition, brown-faced old Frenchwomen, with hard wrinkles and short petticoats, and white caps beneath their broad-brimmed hats, and more than one price, as I think you'll find—these, and the stationed calèches and cabriolets complete a passably fashionable French picture. It is a proof of how nearly the old market-women resemble their originals across the sea that you rather resentfully miss one or two of the proper
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