Page:Portraits of Places (London, Macmillan and Co., 1883).djvu/382

rapids. The circle of weltering froth at the base of the Horseshoe, emerging from the dead white vapours—absolute white, as moonless midnight is absolute black—which muffle impenetrably the crash of the river upon the lower bed, melts slowly into the darker shades of green. It seems in itself a drama of thrilling interest, this blanched survival and recovery of the stream. It stretches away like a tired swimmer, struggling from the snowy scum and the silver drift, and passing slowly from an eddying foam-sheet, touched with green lights, to a cold, verdantique, streaked and marbled with trails and wild arabesques of foam. This is the beginning of that air of recent distress which marks the river as you meet it at the lake. It shifts along, tremendously conscious, relieved, disengaged, knowing the worst is over, with its dignity injured but its volume undiminished, the most stately, the least turbid of torrents. Its movement, its sweep and stride, are as admirable as its colour, but as little as its colour to be made a matter of words. These things are but part of a spectacle in which nothing is imperfect. As you draw nearer and nearer, on the Canada cliff, to the right arm of the Horseshoe, the mass begins in all conscience to be large enough. You are able at last to stand on the very verge of the shelf from which the leap is taken, bathing your boot-toes, if you like, in the side-ooze of the glassy curve. I may say, in parenthesis, that the importunities one suffers here, amid the central din of the cataract, from hackmen and photographers and vendors of gimcracks, are simply hideous and infamous. The road is lined with little drinking-shops and ware-