Page:Portraits of Places (London, Macmillan and Co., 1883).djvu/99

people you have left upon the other side of the channel. I remember that in going to England a year ago and disembarking of a dismal, sleety Sunday evening at Folkestone, the first thing that struck me was the good looks of the railway porters—their broad shoulders, their big brown beards, their well-cut features. In like manner, landing lately at Boulogne of a brilliant Sunday morning, it was impossible not to think the little men in numbered caps who were gesticulating and chattering in one's path, rather ugly fellows. In arriving from other countries one is struck with a certain want of dignity in the French face. I do not know, however, whether this is anything worse than the fact that the French face is expressive; for it may be said that, in a certain sense, to express anything is to compromise with one's dignity, which likes to be understood without taking trouble. As regards the lower classes, at any rate, the impression I speak of always passes away; you perceive that the good looks of the French working-people are to be found in their look of intelligence. These people, in Paris, strike me afresh as the cleverest, the most perceptive, and, intellectually speaking, the most human of their kind. The Paris ouvrier, with his democratic blouse, his expressive, demonstrative, agreeable eye, his meagre limbs, his irregular, pointed features, his sallow complexion, his face at once fatigued and animated, his light, nervous organisation, is a figure that I always encounter again with pleasure. In some cases he looks depraved and perverted, but at his worst he looks refined; he is full of vivacity of perception, of something that one can appeal to.