PART V
THE EARLY EIGHTEENTH CENTURY
Chap. XV. Church Music in Bach's Time.
115. General Survey.
116. German Church Music at its Culmination.
117. Johann Sebastian Bach.
118. His Style and Works.
119. The Church Cantata and Oratorio.
120. Other German Church Music.
121. The Imperial Chapel.
122. In Italy.
123. In England.
Chap. XVI. The Culmination of the Early Italian Opera.
124. The Completed Art-Form.
125. The Rise of the Neapolitan School.
126. The Opera Buffa.
127. The Opera in France.
128. The Opera in Germany.
129. Georg Friedrich Handel.
130. His Style and Significance.
131. The English Ballad-Opera.
Chap. XVII. Instruments and Instrumentalists.
132. Solo Instruments.
133. The Rise of the Virtuoso.
134. Instrumental Ensembles.
135. Keyboard Stringed Instruments.
136. Tuning and Temperament.
Chap. XVIII. Forms of Composition. Theory and Literature
137. The Larger Forms in General.
138. The Suite.
139. The Fugue.
140. The Overture, Sonata and Concerto.
141. Literature about Music.
142. Summary of the Half-Century.
