Mean-tone Temperament (see Temperament)
Measured or Mensural Music, 78-80
Mediæval Music, 63-108
Meistersinger, The, 91-2, 134, 158, 601
Melodrama, The, 287, 380
Melody—
semi-civilized, 27, 33, 37;
ancient, 46, 52;
Gregorian, 64-6;
18th cent., 269, 293, 340, 375-6, 378-9, 406-7;
19th, 419-20, 434-6, 569-71, 608
Méloplaste System, The, 622
Messel, The, 85
Metronome, The, 244, 354
Milan, 100, 122, 547-8, 618-9
Minnesinger, The, 89-91, 132
Minstrels, 50-1, 76, 85-91, 105-7
Minuet, The, 184, 317, 343, 419
Miracle-Play, The, 166-7, 180-1
Miserere, The, 196
Modes—
Hindu, 37;
Arab, 43;
Greek, 55-7, 66-7;
Gregorian, 66-7, 73, 157
Modulation, 161, 312-4, 570
Mohammedan Music, 41-4
Monatshefte für Musikgeschichte, 628
Monodies, The Florentine, 151-2
Monophony, 162, 341, 407
Morality, The, 166-7, 178
Motet, The, 96, 116, 120
Movement-Plan, The, 315-24, 343
Munich, 134-5, 187, 283, 347, 566, 586, 619
'Music of the Future,' The, 570, 574
Music Teachers' National Association, The (U.S.), 649
Musica ficta, 67, 159, 215
Musical Association, The (London), 615
Musical Times (London), 628
Musicians' Company, The (London), 106
Musikalisches Wochenblatt (Leipsic), 514
Mutation (Hexachords), 69
Mystery, The, 166-7, 180-1
Naples, 192-3, 269-71, 277-82, 356-60, 618-9
Narrator, The, 177, 204
Nationalism in Music, 632, 639-52
Netherlanders, The, 85, 93-102, 123, 132-3, 140-2
Neue Zeitschrift für Musik (Leipsic), 505, 511-2, 575
Neumes, The, 70-2, 78
Nineteenth Century, The—
early, 411-98;
middle, 501-632;
later, 635-54
Norway, Music in, 644-5
Notation—
semi-civilized, 33, 37, 43, 47;
Greek, 57-8;
mediæval, 70-3, 78-9, 108;
modern, 620-1
Nuove musiche, Le, 169-70
Nuremberg, 91-2, 115, 136, 224
Oboists, 304-5, 353, 469, 524, 597
Opera, The—
origin, 51-2, 89, 152, 166-9;
17th cent., 165-93, 244-5;
18th, 250, 273-96, 330, 336, 355-70, 377, 407-8;
19th, 412, 424-31, 438-56, 496-7, 546-72, 612-3, 635, 638-48
Opéra Bouffe, The, 554-5
Opera Buffa, The, 277, 284-5, 330, 355, 367
Opéra Comique, The, 285, 367, 445-51, 496, 550-4, 562, 567
Opera, The Grand or Historical (see Historical Opera)
Opera, The Romantic (see Romantic Opera)
Opera-Houses, 170-1, 182-3, 185-6, 286, 448
Oratorio, The, 152, 168-9, 177-9. 194, 201, 204-6, 250, 257-60, 291, 293-4, 330
Orchestra, The—
17th cent., 169, 171, 176, 199, 238, 245;
18th, 300, 305-6, 336, 344-7, 363, 407;
19th, 497, 523-4, 568, 572-93, 596, 636-48
Orchestral Pianism, 539-43
Ordre, The (see Suite)
Organ Music, 160, 194, 214-28, 250-63, 483-5, 487, 496, 604-5
Organists, 117, 119, 142, 146, 209-10, 212, 220-8, 251-7, 262-5, 271-2, 294, 395-9, 525, 573, 579, 604-5
Organum, The, 73, 79-80
Orphéon, The, 601, 622
Overture, The, 182, 240-1, 246, 275, 294, 321, 348, 363, 428
Padua, 120, 148, 155, 302
Palestrina Style, The (see A cappella Style)
Papal Chapel, The (see Chapels)
Partial-Tones, 325-6, 401
Partie or Partita, The (see Suite)
Part-Song, The, 94-6, 116, 150, 437
Passacaglia, The, 318
Passamezzo or Passepied, The, 155, 317
Passion Oratorio, The, 130, 204, 259-60
Pavan, The, 155, 317
Pedagogy, Musical, 400, 412, 490, 497, 535-6, 617-23, 633
Periodicals, Musical, 328, 406, 494-5, 512-3, 628, 640
'Perruque or Pig-tail' Style, The (see Zopf)
Persian Music, 41-4
Philharmonic Society, The (London), 487, 615
(New York), 616, 648
Pianism and Pianists, 404, 412, 457-61, 497, 525, 529-45, 573, 578, 604
Pitch, Standard, 314, 491
Pizzicato, The, 171
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