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Pre-Raphaelitism
71

to get in his way, or run against the pier, and bad weather coming on. Then there is the "Calais Pier," a large painting, engraved some years ago by Mr. Lupton[1]; that is what he saw when he had landed and ran back directly to the pier to see what had become of the brig. The weather had got still worse, the fishwomen were being blown about in a distressful manner on the pier head, and some more fishing boats were running in with all speed. Then there is the "Fortrouge, Calais"; that is what he saw after he had been home to Dessein's, and dined, and went out again in the evening to walk on the sands, the tide being down. He had never seen such a waste of sands before, and it made an impression on him. The shrimp girls were all scattered over them too, and moved about in white spots on the wild shore; and the storm had lulled a little, and there was a sunset—such a sunset,—and the bars of Fortrouge seen against it, skeleton-wise. He did not paint that directly; thought over it,—painted it a long while afterwards.

  1. The plate was, however, never published.