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MYTHOLOGY.

through the changes wrought by modern schools of thought and fancy, upon an intellectual inheritance handed down to them from earlier generations. And through remoter periods, as we recede more nearly towards primitive conditions of our race, the threads which connect new thought with old do not always vanish from our sight. It is in large measure possible to follow them as clues leading back to that actual experience of nature and life, which is the ultimate source of human fancy. What Matthew Arnold has written of Man's thoughts as he floats along the River of Time, is most true of his mythic imagination: —

'As is the world on the banks So is the mind of the man.

Only the tract where he sails He wots of: only the thoughts, Raised by the objects he passes, are his.'

Impressions thus received the mind will modify and work upon, transmitting the products to other minds in shapes that often seem new, strange, and arbitrary, but which yet result from processes familiar to our experience, and to be found at work in our own individual consciousness. The office of our thought is to develop, to combine, and to 4erive, rather than to create; and the consistent laws it works by are to be discerned even in the unsubstantial structures of the imagination. Here, as elsewhere in the universe, there is to be recognized a sequence from cause to effect, a sequence intelligible, definite, and where knowledge reaches the needful exactness, even calculable.

There is perhaps no better subject-matter through which to study the processes of the imagination, than the well-marked incidents of mythical story, ranging as they do through every known period of civilization, and through all the physically varied tribes of mankind. Here the divine Maui of New Zealand, fishing up the island with his enchanted hook from the bottom of the sea, will take his place in company with the Indian Vishnu, diving to the depth of the