Page:Prophets of dissent essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy (1918).djvu/104

to his distorted vision as a perpetual state of war between the sexes: on the one side he saw the male, strong of mind and heart, but in the generosity of strength guileless and over-trustful; on the other side, the female, weak of body and intellect, but shrewd enough to exploit her frailness by linking iniquity to impotence and contriving by her treacherous cunning to enslave her natural superior: — it is the story of Samson and Delilah made universal in its application. Love is shown up as the trap in which man is caught to be shorn of his power. The case against woman is classically drawn up in "The Father," one of the strangest and at the same time most powerful tragedies of Strindberg. The principals of the plot stand for the typical character difference between the sexes as Strindberg sees it; the man being kind-hearted, good-natured, and aspiring, whereas the woman, setting an example for all his succeeding portraits of women, is cunning, though unintelligent and coarse-grained, soulless, yet insanely ambitious and covetous of power. In glaring contrast to the situation made so familiar by Ibsen, we here see the man struggling away from the clutches of a woman who declares frankly that she has never looked at a man without feeling