Prophets of Dissent
any case it is very surprising that it should be a Belgian whose literary personality is almost unique in having remained exempt from the general abridgment of spiritual stature.
It is true that Maurice Maeterlinck, the most eminent literary figure in his sadly stricken country and of unsurpassed standing among the contemporary masters of French letters, has, since the great catastrophe, won no new laurels as a dramatist; and that in the other field cultivated by him, that of the essay, his productiveness has been anything but prolific. But in his case one is inclined to interpret reticence as an eloquent proof of a singularly heroic firmness of character at a time when on both sides of the great divide which now separates the peoples, the cosmopolitan trend of human advance has come to a temporary halt, and the nations have relapsed from their laboriously attained degree of world-citizenship into the homelier, but more immediately virtuous, state of traditional patriotism.
It is a military necessity as well as a birthright of human nature that at a time like the present the patriot is excused from any pharisaical profession of loving his enemy. Before the war, Maeterlinck's writings were animated by humani-
[4]
