- 31 In Turnour's edition of the Mahavansa, which is printed with dotted letters, we get thirty-five pages quarto of errata to about a hundred pages of text. But they might be cast on one body. True, they might be perhaps they will be. At all events they have been; and Volney offered such types to anybody that would ask for them. Still, when I inquire at a press like the University press of Oxford, they are not forthcoming. We must not expect that what is impossible in the nineteenth century at Oxford, will be possible in the twentieth century at Timbuktu.
Now the difficulty, so far as I can see, was solved by a compositor to whom I sent some MS., where each palatal letter was marked by a line under it. The compositor, not knowing what these lines meant, took them for the usual marks of italics, and I was surprised to see that this answered the purpose, saved much trouble and much expense, and, on the whole, did not look badly. As every English font includes italic letters, the usefulness of these modified types for our Missionary alphabet "springs to the eyes," as we say in German. They are sufficiently startling to remind the reader of their modified pronunciation, and at the same time they indicate, as in most cases they ought, their original guttural character to the reflecting philologist. As in ordinary books italics are used to attract attention, so also in our alphabet. Even to those who have never heard the names of guttural and palatal letters, they will show that the k is not the usual k. Persons in the slightest degree acquainted with phonetics will be made aware that the k is, in shape and sound, a modification of the k. All who admit that palatals are modifications of gutturals would see at once that the modification intended by k could only be the palatal. And as to the proper pronunciation of the k, as palatal tennis, in different dialects, people who read their own language expressed in this alphabet will never hesitate over its pronunciation. Others must learn it, as they now learn the pronunciation of Italian ci and chi, or rest satisfied to know that h stands for the palatal tenuis, and for nothing else. Sooner or later this expedient is certain to be adopted. Thus we get, as the reprcsentatives of the palatals,
k, kh, g, gh.
Now, also, it will appear how we can avoid the ambiguity before
