under the covering of a stubborn resistance against the end.
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PRIAPUS AND SERPENT
This apparent contrast in the nature of the libido is strikingly illustrated by a Priapic statuette in the antique collection at Verona.[60] Priapus smilingly points with his finger to a snake biting off his "membrum." He carries a basket on his arm, filled with oblong objects, probably phalli, evidently prepared as substitutes.
A similar motive is found in the "Deluge" of Rubens (in the Munich Art Gallery), where a serpent emasculates a man. This motive explains the meaning of the "Deluge"; the maternal sea is also the devouring mother.[61] The phantasy of the world conflagration, of the cataclysmic end of the world in general, is nothing but a mythological projection of a personal individual will for death; therefore, Rubens could represent the essence of the "Deluge" phantasy in the emasculation by the serpent; for the serpent is our own repressed will
