introduced was antimony, either black (sulphide) or regulus. Jones (1765) was already using what he calls crude antimony; this was probably the black sulphide.
Before the introduction of genuine colour, and while the chemicals which had been adopted for pyrotechny were still very limited in number, attempts were made to obtain either a semblance of colour or some variety in stars and garnitures by the addition of such substances as powdered glass, brass, sawdust, beech raspings, which appear to have functioned as do the iron or steel in the compositions already discussed, except that there would be no coruscation even with the brass. These additions would merely show as red-hot particles in the jet of fire.
Kentish gives two gerb compositions, one of which contains coke grains, and the other porcelain grains, which would apparently produce cognate results; the use, however, of both these ingredients is now almost if not quite obsolete.
Antimony, on account of its ready combustion, is more completely consumed before leaving the case. In this connection it may be mentioned that care is necessary in a mixture containing steel or iron to avoid too large a proportion of the oxygen-bearing ingredient, for fear of consuming it inside the case.
Another composition producing remarkable coruscations is the old-fashioned "spur fire," which consists of saltpetre, sulphur, and lampblack. This composition requires very careful and experienced mixing, or no effect will be produced, rendering its preparation a very lengthy process.
This difficulty was somewhat overcome during the last century by the addition of orpiment or sulphide of arsenic. Even with this addition, however, its manufacture requires care and patience. It is a curious fact that this composition, unlike most others, has the quality of markedly improving by keeping. How the lampblack produces this unique effect, or
