Where Kings commands be, Art is stretcht to the true depth; as the performance of these Engineers have been approved.
"But now again to our wished sports: when this fiery hunting was extinguished, and that the Elements were a little cleared from fire and smoke, there came sailing up, as it were upon the Seas, certaine ships and gallies bravely rigged with top and top gallant, with their flagges and streamers waving like Men of Warr, which represented a Christian name opposed against the Turkes; where, after they had awhile hovered, preparing as it were, to make an incursion into the Turkish country, they were discovered by her Towers or Castles of defence, strongly furnished to intercept all such invading purposes, so sending forth the reports of a cannon, they were bravely answered with the like from the gallies, banding fire and powder one from another, as if the God of Battle had been there present.
"Here was the manner of a sea-fight rightly performed: First, by assailing one another, all striving for victorie, and pursuing each other with fire and sword: the Culverines merrily plaid betwixt them, and made the ayre resound with thundering echoes; and at last to represent the joyes of a victorie, the Castles were sacked, burned, and ruinated, and the defenders of the same forced to escape with great danger."
The foregoing appears to be the only full account of a display in England during the early part of the seventeenth century, but in the first serious work on fireworks, "Pyrotechnia," by John Babington, "gunner and student of the mathematicks," we find a proposed programme for "a generall piece of fire-worke for land, for the pleasure of a Prince or some great person." The spectacle consists of two castles with mechanical effects, but includes such devices as horizontal and vertical wheels, flights of rockets, line rockets and "torches of beautifull fire." Babington also describes the
