This page has been proofread, but needs to be validated.
54
QUARTETTE.

high voice murmured in English from behind my shoulder:—"Sahib! Sahib! Do you not know me? Sahib, it is Gunga Dass, the telegraph master." I spun round quickly and faced the speaker.

Gunga Dass, (I have, of course, no hesitation in mentioning the man's real name) I had known four years before as a Deccanee Brahmin loaned by the Punjab Government to one of the Khalsia States. He was in charge of a branch telegraph-office there, and when I had last met him was a jovial, full-stomached, portly Government servant with a marvelous capacity for making bad puns in English—a peculiarity which made me remember him long after I had forgotten his services to me in his official capacity. It is seldom that a Hindu makes English puns. Now, however, the man was changed beyond all recognition. Caste-mark, stomach, slate-colored continuations, and unctuous speech were all gone. In their place I saw a withered skeleton, turban-less and almost naked, with long matted hair and deep-set codfish-eyes. But for a crescent-shaped scar on the left cheek—the result of an accident for which I was responsible—I should never have known him. But it was indubitably Gunga Dass, and—for which I was thankful—an English-speaking native who might at least tell me the meaning of all that I had gone through that day.

The crowd retreated to some distance as I turned toward the miserable figure, and ordered him to show me some method of escaping from the crater. He held a freshly plucked crow in his hand, and in reply to my question climbed slowly on a platform of sand which ran in front of the holes, and commenced lighting a fire there in silence. Dried bents, sand-poppies, and driftwood burn quickly; and I derived much consolation from the fact that he lit them with an ordinary "Tandstickor" match. When they were in a bright glow, and the crow was nearly spitted in front thereof, Gunga Dass began without a word of preamble:—

"There are only two kinds of men, Sir. The alive and the dead. When you are dead you are dead, but when you are alive you live." [Here the crow demanded his attention for an instant as it twirled before the fire in danger of being burned to a cinder.] "If you die at home and do not die when you come to the ghát to be burned, you come here."

The mystery of the accursed village was made plain now,