observed, would give but a passing glance to the works, the painter was not therefore to forget that others might view them with more thoughtful eyes. This argument convinced the commission, and it was decided that the subjects to be depicted should be of an improving nature. The frescoes were carried out in accordance with the commission's instructions, but unfortunately before very long they had become, even to the most thoughtful eyes, totally invisible. It seems that His Royal Highness's technical acquaintance with the processes of fresco painting was incomplete!
The next task upon which the Prince embarked was a more arduous one: he determined to reform the organisation of the royal household. This reform had been long overdue. For years past the confusion, discomfort, and extravagance in the royal residences, and in Buckingham Palace particularly, had been scandalous; no reform had been practicable under the rule of the Baroness; but her functions had now devolved upon the Prince, and in 1844, he boldly attacked the problem. Three years earlier, Stockmar, after careful enquiry, had revealed in an elaborate memorandum an extraordinary state of affairs. The control of the household, it appeared, was divided
