the stuffs and the patterns must be so identically reproduced that the keenest eye might not detect the difference. No new picture could be hung upon the walls at Windsor, for those already there had been put in their places by Albert, whose decisions were eternal. So, indeed, were Victoria's. To ensure that they should be the aid of the camera was called in. Every single article in the Queen's possession was photographed from several points of view. These photographs were submitted to Her Majesty, and when, after careful inspection, she had approved of them, they were placed in a series of albums, richly bound. Then, opposite each photograph, an entry was made, indicating the number of the article, the number of the room in which it was kept, its exact position in the room and all its principal characteristics. The fate of every object which had undergone this process was henceforth irrevocably sealed. The whole multitude, once and for all, took up its steadfast station. And Victoria, with a gigantic volume or two of the endless catalogue always beside her, to look through, to ponder upon, to expatiate over, could feel, with a double contentment, that the transitoriness of this world had been arrested by the amplitude of her might.[1]
- ↑ Private Life, 18, 66, 69, 70-1, 151, 182.
