trust my cargo unreservedly to the chances of the sea; and do not, by criticising myself, seek to disarm the wrath of other and less partial critics.
Hugo's Romances.—This is an instance of the "point of view." The five romances studied with a different purpose might have given different results, even with a critic so warmly interested in their favour. The great contemporary master of wordmanship, and indeed of all literary arts and technicalities, had not unnaturally dazzled a beginner. But it is best to dwell on merits, for it is these that are most often overlooked.
Burns.—I have left the introductory sentences on Principal Shairp, partly to explain my own paper, which was merely supplemental to his amiable but imperfect book, partly because that book appears to me truly misleading both as to the character and the genius of Burns. This seems ungracious, but Mr. Shairp has himself to blame; so good a Wordsworthian was out of character upon that stage.
This half apology apart, nothing more falls to be said except upon a remark called forth by my study in the columns of a literary Review. The exact terms in which that sheet disposed of Burns I can-
