he belonged. The convent is now used as an Orphan-house. There is a gallery in it, with a strange series of pictures. Death is represented as coming upon men and women at all moments, during every occupation—the Beauty at her toilette—the Miser counting his money—the Hero in the hour of victory—the King on his throne—the Mother fostering her first-born—the Bride, proud in her husband. It is a strange idea: the pictures are badly executed enough, yet some are striking.
The country lost, as we proceeded, all its beauty—vast uninclosed tracts of arable land spread out round. From a height, we looked down on Weimar. The trees of its park were the only verdure visible; for the harvest being over, the land was all stubble: no hedge, no meadow, no shady covert. I pitied the poets who had been destined to live there; for however agreeable royal parks and gardens may be, they are a poor compensation for the free and noble beauty of nature.
Dining at Weimar, we spent two or three hours in running about to visit the lions. It is a pleasant looking town. I do not know exactly how to present to your imagination the appearance of these German towns. The streets are wide; and thus, though the houses are high, they look airy, and, though badly paved, clean: the houses are white, and have not the
