Page:Rambles in Germany and Italy in 1840, 1842, and 1843 - Volume 2.djvu/211

book; pamphlets and articles poured furiously down, each breathing the ire of an earlier and more uncivilised age. The Romanticists wished to banish the mythology—to make poetry patriotic—that is, founded on national faith, chronicles, and sympathies. They added example to precept; Berchet published a volume of odes which met with eminent success; the subjects were Italian, and breathed great force of passion and feeling. Grossi, the rival, or rather, as he calls himself, the pupil of Manzoni, commenced with “Ildegonda,” a tale in verse, founded on a Milanese story, which was received with immense applause. Manzoni published his “Carmagnola;” Pellico his “Francesca da Rimini” and “Eufemio da Messina.” Pellico, afterwards so sadly celebrated for his misfortunes, was at this time tutor to the sons of Count Porro. He projected founding a periodical work which should serve as a common link between the writers of every state in Italy. Porro and Gonfalonieri seconded him, and hence arose a periodical publication named “Il Conciliatore” (the Conciliator). Gioga, Romagnosi, Manzoni, Grossi, Berchet, and Montani contributed to its success, without mentioning the political contributions of Gonfalonieri, Porro, Pecchio, Arrivabene, and many others, who were then secretly conspiring against the govern-