pencil. The innocent, tearful face of the young and lovely girl, whose look expresses the self-pity which must have swelled in her heart, as she thought, how she, from very horror of crime, was become a murderess, put to shame the dark eyes and pencilled brows of her, whose passion was devoid of tenderness. It is gratifying to see the work of an English painter in a Roman church. The picture by Mr. Severn in the Cathedral of San Paolo fuore delle Mura, is a beautiful composition, and shews to great advantage. It is the first work of a Protestant artist admitted into a Roman church. The high esteem in which Mr. Severn was held in Rome ensured him this distinction.
I have visited with great pleasure the studios of modern statuaries. They are mostly now employed in portraying or idealizing a Capuan peasant-woman, la Grazia, whose beauty is of an expressive, mobile, and grand cast. The best representation of her is as Hagar in the desert.
The angel of the day of judgment, by Tenerani, is very fine; and Mr. Gibson’s studio contains statues admirably executed in that classic taste which he so successfully cultivates.
