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First Theme

A little later this will be followed by another title:

Second Theme

Then will come a proclamation of the working-out section, with indications here and there of the uses of the various themes. Still later, the recapitulation will be published, and the coda, if there be one. The performance may be preluded by general remarks about the composer and such particularizations regarding the symphony as may be deemed pertinent. If this course be rigorously pursued throughout the season, by the first of April, every constant concert-goer may be expected to know at least as much about the sonata form as I do.

It does not seem necessary to dwell at length on the advantages that will ensue from a resort to this simple device. Briefly, however, the hearer will be put into possession of accurate information at the time when he most needs it and when, therefore, it will make its maximum effect; there will be no rustling of programs to disturb honest listeners; above all, the requirements of the electrical machine will demand the darkening of the auditorium, an immense advantage. There is, to be sure, no apparent reason why the auditorium should not be darkened in any case.