When You Want it acquires a taste for orchestral music or the opera at all. We are, it would seem, completely in the power of Messrs. Bodanzky, Gatti-Casazza, Stokovski, Pierre Monteux, Sargent and Milton Aborn, and Fortune Gallo. They not only determine what we shall hear, they also decide when we shall hear it. The situation is monstrous and unbearable. A few comparisons may serve to bring the point to you more forcibly. Suppose, for instance, that the directors of the Metropolitan Museum of Art issued a decree to the effect that you could see Manet's Boy with a Sword only on July 17, 1922, and not again until February 4, 1930. Suppose that these gentlemen further ordered that Renoir's portrait of Madame Charpentier would be on view only on odd Sundays during Lent. Suppose that the Greek vase room or the chamber containing Chinese porcelains was open to the public only on December 6, 1921. Let us imagine another example, even more terror-inspiring. Suppose that Messrs. Brentano, Scribner and Putnam arbitrarily made a rule that the public could only buy certain books on certain days. On January 1, Putnam's would sell only the works of Harold Bell Wright, Brentano's, only Shaw's new volume of plays, Scribner's, Joseph Hergesheimer's San Christóbal de la Habana. On January 2, one would be permitted to purchase the novels
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