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nithological symbol, only to discover that it had existed all the time at home, the last place in the world they had thought to look for it. Our Woolworth and Flatiron Buildings we are likely to ignore, while we bow the knee before the Château district of Fifth Avenue and our ridiculous Public Library. Châteaux are all very well on the Loire, but imitations of them have no place in New York. As for that absurd Roman Library! The present building, years in course of construction, has already practically outgrown its space, and it is not yet a decade since it was first opened to the public. Acres have been wasted in the corridors alone. Of course, a library in New York should shoot up forty storeys towards the sky. Speeding elevators should hoist the student in a jiffy to whatever mental stimulation he requires. R. J. Coady, in an amusing magazine called The Soil,[1] has sung the praises of American machinery, and his illustrations exhibit these steel works of art, of the best kind since they are also utilitarian. One day Mina Loy picked up one of those paste-board folders to which matches are attached, which are given away at all cigar counters for the use of patrons. "Some day," she said, "these will be very rare and then they will be considered beautiful." She was quite right. A few years after

  1. Now defunct. Five numbers were published in 1916-17.