musical instruments, and occasionally he went with his wife to sing duets in the open air on the Champs-Elysees, to pick up a few sous. Emilio and Massimilla de Varese were deeply sympathetic of the Gambaras, whom they met in the neighborhood of Faubourg Saint-Honore. Paolo Gambara had no commonsense except when drunk. He had invented an outlandish instrument which he called the "panharmonicon." (Gambara)
GAMBARA (Marianina), Venetian, wife of Paolo Gambara. With him she led a life of almost continual poverty, and for a long time maintained them at Paris by her needle. Her clients on rue Froidmanteau were mostly profligate women, who however were kind and generous towards her. From 1831 to 1836 she left her husband, going with a lover, Andrea Marcosini, who abandoned her at the end of five years to marry a dancer; and in January, 1837, she returned to her husband's home emaciated, withered and faded, "a sort of nervous skeleton," to resume a life of still greater squalor. (Gambara)
GANDOLPHINI (Prince), Neapolitan, former partisan of King Murat. A victim of the last Revolution he was, in 1823, banished and poverty stricken. At this time he was sixty-five years old, though he looked eighty. He lived modestly enough with his young wife at Gersau—Lucerne—under the English name of Lovelace. He also passed for a certain Lamporani, who was at that time a well-known publisher of Milan. When in the presence of Rodolphe the prince resumed his true self he said: "I know how to make up. I was an actor during the Empire with Bourrienne, Mme. Murat, Mme. d'Abrantes, and any number of others."—Character in a novel "L'Ambitieux par Amour," published by Albert Savarus, in the "Revue de l'Est," in 1834. Under this fictitious name the author related his own history: Rodolphe was himself and the Prince and Princesse Gandolphini were the Duc and Duchesse d'Argaiolo. (Albert Savarus)
GANDOLPHINI (Princesse), nee Francesca Colonna, a Roman of illustrious origin, fourth child of the Prince and Princess Colonna.
