causes.
It is due to this analysis that this dreamer has defined almost all the great principles of the psychological changes incident to our time. He saw clearly, while democracy was establishing itself with us on the ruins of the ancient regime, the novelty of the sentiments which these transfers from class to class were certain to produce. He fathomed every complication of heart and mind in the modern woman by an intuition of the laws which control her development. He divined the transformation in the lives of artists, keeping pace with the change in the national situation; and to this day the picture he has drawn of journalism in Lost Illusions ("A Distinguished Provincial at Paris") remains strictly true. It seems to me that this same power of locating causes, which has brought about such a wealth of ideas in his work, has also brought about the magic of it all. While other novelists describe humanity from the outside, he has shown man to us both from within and without. The characters which crowd forth from his brain are sustained and impelled by the same social waves which sustain and impel us. The generative facts which created them are the same which are always in operation about us. If many young men have taken as a model a Rastignac, for instance, it is because the passions by which this ambitious pauper was consumed are the same which our age of unbridled greed multiplies around disinherited youth. Add to this that Balzac was not content merely to display the fruitful sources of a modern intellect, but that he cast upon them the glare of the most ardent imagination the world has ever known. By a rare combination this philosopher was also a man, like the story-tellers of the Orient, to whom solitude and the over-excitement of night-work had communicated a brilliant and unbroken hallucination. He was able to impart this
