Page:Repertory of the Comedie Humaine.djvu/409

This page needs to be proofread.

When Wenceslas married Mademoiselle Hulot, Popinot and Eugene de Rastignac were the Pole's witnesses. (Cousin Betty)

POPINOT (Madame Anselme), wife of the preceding, born Cesarine Birotteau, in 1801. Beautiful and attractive though, at one time, almost promised to Alexandre Crottat, she married, about 1822, Anselme Popinot, whom she loved and by whom she was loved. (Cesar Biroteau) After her marriage, though in the midst of splendor, she remained the simple, open, and even artless character that she was in the modest days of her youth.[1] The transformation of the dancer Claudine du Bruel, the whilom Tullia of the Royal Academy of Music, to a moral bourgeois matron, surprised Madame Anselme, who became intimate with her. (A Prince of Bohemia) The Comtesse Popinot rendered aid, in a delicate way, in 1841, to Adeline Hulot d'Ervy. Her influence with that of Mesdames de Rastignac, de Navarreins, d'Espard, de Grandlieu, de Carigliano, de Lenoncourt, and de la Bastie, procured Adeline's appointment as salaried inspector of charities. (Cousin Betty) Three years later when one of her three children married Mademoiselle Camusot de Marville, Madame Popinot, although she appeared at the most exclusive social gatherings, imitated modest Anselme, and, unlike Amelie Camusot, received Pons, a tenant of her maternal great-uncle, C.-J. Pillerault. (Cousin Pons)

POPINOT (Vicomte), the eldest of the three children of the preceding couple, married, in 1845, Cecile Camusot de Marville. (Cousin Pons) During the course of the year 1846, he questioned Victorin Hulot about the remarkable second marriage of Baron Hector Hulot d'Ervy, which was solemnized on the first of February of that year. (Cousin Betty)

POPINOT (Vicomtesse), wife of the preceding; born Cecile Camusot in 1821, before the name Marville was added to Camusot through the acquisition of a Norman estate. Red-haired and insignificant looking, but very pretentious, she

  1. In 1838, the little theatre Pantheon, destroyed in 1846, gave a vaudeville play, by M. Eugene Cormon, entitled "Cesar Birotteau," of which Madame Anselme Popinot was one of the heroines.