She gave dinner-parties on Wednesdays; Levasseur, Conti, Mesdames Pasta, Conti, Fodor, De Bargeton, and d'Espard, attended her receptions. (A Distinguished Provincial at Paris) Although a Legitimist, like the Marquise d'Espard, Felicite, after the Revolution of July, kept her salon open, where were frequently assembled her neighbor Leontine de Serizy, Lord Dudley and Lady Barimore, the Nucingens, Joseph Bridau, Mesdames de Cadignan and de Montcornet, the Comtesse de Vandenesse, Daniel d'Arthez, and Madame Rochegude, otherwise known as Rochefide. Canalis, Rastignac, Laginski, Montriveau, Bianchon, Marsay, and Blondet rivaled each other in telling piquant stories and passing caustic remarks under her roof. (Another Study of Woman) Furthermore, Mademoiselle des Touches shortly afterwards gave advice to Marie de Vandenesse and condemned free love. (A Daughter of Eve) In 1836, while traveling through Italy, which she was showing to Claude Vignon and Leon de Lora, the landscape painter, she was present at an entertainment given by Maurice de l'Hostal, the French consul at Genoa; on this occasion he gave an account of the ups and downs of the Bauvan family. (Honorine) In 1837, after having appointed as her residuary legatee Calyste du Guenic, whom she adored, but to whom she refused to give herself over, Felicite des Touches retired to a convent in Nantes of the order of Saint-Francois. Among the works left by this second George Sand, we may mention "Le Nouveau Promethee," a bold attempt, standing alone among her works, and a short autobiographical romance, in which she described her betrayed passion for Conti, an admirable work, which was regarded as the counterpart of Benjamin Constant's "Adolphe." (Beatrix, The Muse of the Department)
TOUPILLIER, born about 1750; of a wretchedly poor family consisting of three sisters and five brothers, one of whom was father of Madame Cardinal. From drum-major in the Gardes-Francaise, Toupillier became beadle in the church of Saint-Sulpice, Paris; then dispenser of holy water, having been an artist's model in the meantime. Toupillier, at the beginning of the Restoration, suspected either of being a
