CHAPTER V.
PICTURE-WRITING AND WORD-WRITING.
The art of recording events, and sending messages, by means of pictures representing the things or actions in question, is called Picture-Writing.
The deaf-and-dumb man's remark, that the gesture-language is a picture-language, finds its counterpart in an observation of Wilhelm von Humboldt's, that "In fact, gesture, destitute of sound, is a species of writing." There is indeed a very close relation between these two ways of expressing and communicating thought. Gesture can set forth thought with far greater speed and fulness than picture-writing, but it is inferior to it in having to place the different elements of a sentence in succession, in single file, so to speak; while by a picture the whole of an event may be set in view at one glance, and that permanently, so as to serve as a message to a distant place or a record to a future time. But the imitation of visible qualities as a means of expressing ideas is common to both methods, and both belong to similar conditions of the human mind. Both are found in very distant countries and times, and spring up naturally under favourable circumstances, provided that a higher means of supplying the same wants has not already occupied the place which they can only fill very partially and rudely.
There being so great a likeness between the conditions which cause the use of the gesture-language and of picture-writing, it is not surprising to find the natives of North America as proficients in the one as in the other. Their pictures, as drawn and interpreted by Schoolcraft and other writers, give the best information that is to be had of the lower development of the art[1]
- ↑ Figs. 2 to 7, and their interpretations, are from Schoolcraft 'Indian Tribes,'
