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REALISM AND ROMANCE
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whose open window was just above them—Jims, who hardly ever cried in the evening. Moreover, he was crying, as Rilla knew from experience, with a vim and energy that betokened that he had been already whimpering softly unheard for some time and was thoroughly exasperated. When Jims started in crying like that he made a thorough job of it. Rilla knew that there was no use to sit still and pretend to ignore him. He wouldn’t stop; and conversation of any kind was out of the question when such shrieks and howls were floating over your head. Besides, she was afraid Kenneth would think she was utterly unfeeling if she sat still and let a baby cry like that. He was not likely acquainted with Morgan’s invaluable volume.

She got up. “Jims has had a nightmare, I think. He sometimes has one and he is always badly frightened by it. Excuse me for a moment.”

Rilla flew upstairs, wishing quite frankly that soup tureens had never been invented. But when Jims, at sight of her, lifted his little arms entreatingly and swallowed several sobs, with tears rolling down his cheeks, resentment went out of her heart. After all, the poor darling was frightened. She picked him up gently and rocked him soothingly until his sobs ceased and his eyes closed. Then she essayed to lay him down in his crib. Jims opened his eyes and shrieked a protest. This performance was repeated twice. Rilla grew desperate. She couldn’t leave Ken down there alone any longer—she had been away nearly half an hour already. With a resigned air she marched downstairs, carrying Jims, and sat down on the veranda. It was, no doubt, a ridiculous thing to sit and cuddle a contrary war baby when your best