the increased production per acre. I’m going to need you when that bill of mine comes up. I reckon we’ll be able to pull along pretty well together this session and maybe others to come, eh, Senator?”
Thus did fortune elect to smile upon the Boy Artist of the San Saba. Fate had already done her share when she arranged his atoms in the cosmogony of creation as the grandson of Lucien Briscoe.
The original Briscoe had been a pioneer both as to territorial occupation and in certain acts prompted by a great and simple heart. He had been one of the first settlers and crusaders against the wild forces of nature, the savage and the shallow politician. His name and memory were revered equally with any upon the list comprising Houston, Boone, Crockett, Clark, and Green. He had lived simply, independently, and unvexed by ambition. Even a less shrewd man than Senator Kinney could have prophesied that his state would hasten to honour and reward his grandson, come out of the chaparral at even so late a day.
And so, before the great picture by the door of the chamber of representatives at frequent times for many days could be found the breezy, robust form of Senator Kinney and be heard his clarion voice reciting the past deeds of Lucien Briscoe in connection with the handiwork of his grandson. Senator Mullens’s work was more subdued in sight and sound, but directed along identical lines.
Then, as the day for the introduction of the bill for appropriation draws nigh, up from the San Saba country
