4th Quartet, Opus 18, No. 4, in C minor.
Allegro ma non tanto—Scherzo—Menuetto—Rondo.
Written in Beethoven's favourite key, C minor, this quartet is remarkable for its melodiousness. It has no slow movement and contains both a Scherzo and a Minuet, the former marked Andante Scherzoso quasi Allegretto and opening in a Fugato style reminiscent of the Andante of the First Symphony. Both this and the Minuet contain the characteristic Sforandi, especially that on the third beat of triple time. The Prestissimo Coda brings the Finale to a powerful conclusion.
5th Quartet, Opus 18, No. 5, in A.
Allegro—Minuet—Air and Variations—Allegro.
This quartet is chiefly remarkable for its lovely Andante and set of variations on the beautiful theme which has all the natural feeling of a genuine folk-song. The first variation is Fugato; the second has sparkling triplets for the 1st violin; the third woodland murmurs, whilst the cellos and violas occupy themselves with the melody.
The fourth is organ-like in treatment, whilst the final one starts on a boisterous scamper home. which ends, however, in a melancholy, dreamy meditation. The Finale is Mozartian.
