Page:Rolland - Beethoven, tr. Hull, 1927.pdf/73

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HIS LIFE
45

Then follows a sacred orgy, a very delirium of love. A whole trembling humanity lifts its arms to the sky, utters powerful outcries, rushes forth towards this Joy and clasps it to the heart.

This Titanic work overcame the indifference of the public. The frivolous crowds of Vienna were moved for an instant, but they still favoured Rossini and his Italian operas. Humiliated and saddened, Beethoven was on the point of going to live in London and thought of giving his Ninth Symphony there. A second time, as in 1809, some noble friends sent him a petition asking that he would not leave the country. They said "We know that you have written a new composition of sacred music[1] in which you have expressed sentiments inspired by your profound faith. The supernatural light which penetrates your great soul illumines the work. We know besides that the garland of your inspired symphonies has been increased by an immortal flower. . . . Your absence during these last years has troubled all those whose eyes are turned to you.[2] Everyone sadly thought that the man of genius placed so high amongst living beings remained silent whilst another kind of foreign art sought to plant itself in our country, causing the productions of German art to be forgotten. . . . From you only, the

  1. The Mass in D, Op: 123.
  2. Harassed by domestic quarrels, misery, cares of all kinds, Beethoven only wrote during the five years from 1816 to 1821, three pieces for the piano (Op., 101, 102, and 106). His enemies said he was exhausted. He began to work again in 1821.