Clerambault was not the only one to feel the benefit of of Froment's
energy, for at his bedside he was sure to find some friend who came,
perhaps without admitting it, more to get comfort than to bring it.
Two or three of these were young, about Edmé's age, the others, men
over fifty, old friends of the family, or those who had known Froment
before the war.
One of these had been his professor, an old Hellenist, with a sweet absent smile. Then there was a grey-haired sculptor, his face ploughed by deep tragic lines; a country gentleman, clean-shaved, red-cheeked, with the massive head of an old peasant; and finally a doctor. He had a white beard, his face was worn and kind, and you were struck by the strange expression of his eyes; one seemed to look sharply at you, and the other was sad and dreamy.
There was little resemblance between these men who sometimes met at the invalid's house. All shades of thought could be found in the group, from the Catholic to the freethinker and the bolshevist--one of Froment's young friends professed to be of this opinion. In them you could find the traces of the most various intellectual ancestry; the ironic Lucian appeared in the old professor; the Count de Coulanges was wont to solace himself in the evenings on his estate with cattle and fertiliser, but also revelled in the gorgeous texture of Froissart's style, like cloth of gold, and the countrified, juicy talk of that rascal Gondi--the count certainly had the old French chroniclers in his veins. The sculptor wrinkled his brow in the effort to find metaphysics in Rodin and Beethoven; and Dr. Verrier had a streak of the marvellous in his disposition. This he satisfied by the hypotheses of biology, and the wonders of modern
