looked after, for this is the basis of our whole civilization. It is the glory of the theater that it deals directly with the instincts, and portrays them vividly. Of course, we must try to perfect man—despite his character—by appealing to his intellect, but it is better to go straight to nature, for the truly great man is he who is great naturally, without realizing it. We recognize the temporary value of public readings : they are for the time being excellent propaganda. The entertainments where a little declamation and a bit of music are served up in a heterogeneous mass are perhaps necessary to stir the sluggish minds of the people who, through long attendance at cheap "shows," have lost the power of prolonged concentration. Let us take the readings for what they are worth : as a sort of supplementary night school, a preparatory course to the appreciation of true art. They are provisional quarters, constructed in great haste, erected for use until the permanent building shall be ready for occupancy. But let us not rest content with these wooden huts, and mistake the architect's shed at the foot of the cathedral for the cathedral itself.
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THE PEOPLE'S THEATER
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