This page has been proofread, but needs to be validated.
168
ROMANCE AND REALITY.

artificial, and in this consisted his most striking peculiarity; for it was singular how a character, which was so much an acquired one, could yet be so original. He possessed great knowledge, both that acquired from books—for he had read largely,—and that acquired from observation—for he had seen much of society. His reasoning, rather than his imaginative faculties were developed. He soon exhausted pleasure, and then reasoned upon it: he soon exhausted it, because he wanted that colouring enthusiasm which creates more than half of what it enjoys; and he reasoned upon it, because his activity of mind, not having been employed on fancies, remained entire for realities.

His perception of the ridiculous was as keen as it was investigating. He set forth absurdity, cause and effect; and the absurdity grew doubly absurd from having its motive placed by its side. He possessed self-appreciation rather than vanity; he was too suspicious to be vain. Vanity seeks for, and believes in, praise; he would certainly have doubted the motive or the sincerity of the praise he was offered—and disbelief takes refuge in disdain.

It may be questioned whether he was generally popular. There were two reasons against