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SC. III.
ROMEO AND JULIET
173
And steep'd in blood?—Ah, what an unkind hour145
Is guilty of this lamentable chance!—
The lady stirs.[Juliet wakes.[C 1]
Jul. O comfortable[E 1] friar! where is[C 2] my lord?
I do remember well where I should be,
And there I am: where is my Romeo?150

[Noise within.[C 3]

Fri. I hear some noise.—Lady,[C 4] come from that nest
Of death, contagion, and unnatural sleep:
A greater power than we can contradict
Hath thwarted our intents: come, come away:
Thy husband in thy bosom there lies dead;155
And Paris too: come, I'll dispose of thee
Among a sisterhood of holy nuns.
Stay not to question, for the watch[E 2] is coming;
Come, go, good Juliet; I dare no longer stay.[Exit.[C 5]
Jul. Go,[E 3] get thee hence, for I will not away.—160
What's here? a cup closed in my true love's hand?
Poison, I see, hath been his timeless[E 4] end:—
O[C 6] churl! drunk all,[C 7] and left[C 8] no friendly drop
To help me after?—I will kiss thy lips;
Haply some poison yet doth hang on them,165
  1. 147. Juliet wakes] Pope (substantially), Juliet rises Q 1.
  2. 148. where is] Q, where's F.
  3. 150. Noise within] Capell.
  4. 151. noise.—Lady] Capell; noyse Lady, Q, F.
  5. 159. Exit …] Q, F; after line 160 Dyce.
  6. 163. O] Q, F; Ah Q 1;
  7. all,] Q, all? F;
  8. drunk … left] Q; drinke … left Q 3, Ff; drinke … leave Q 1.
  1. 148. comfortable] strengthening, supporting; used, as often, in the active sense. So All's Well, I. i. 86, "Be comfortable to my mother."
  2. 158. the watch] Shakespeare follows Brooke's poem.
  3. 160. Go … away] The words, as Dyce and the Cambridge editors indicate by bringing "Exit" to line 160, may be addressed to the Friar; but they may also be uttered by Juliet to herself after his departure.
  4. 162. timeless] untimely, as in Richard II. IV. i. 5.