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and beautiful, the image of which remained deeply impressed on her mind; it was that of her brother, who long years ago had taken her on his knee, kissed her, and never come back again: a fair face, with sunny hair, like her own. But the habitual attitude of her mind towards strangers—a proud self-dependence and determination to ask for nothing even by a smile—confirmed in her by her father's complaints against the world's injustice, was like a snowy embankment hemming in the rush of admiring surprise. Tito's bright face showed its rich-tinted beauty without any rivalry of colour above his black sajo or tunic reaching to the knees. It seemed like a wreath of spring, dropped suddenly in Romola's young but wintry life, which had inherited nothing but memories—memories of a dead mother, of a lost brother, of a blind father's happier time—memories of far-off light, love, and beauty, that lay embedded in dark mines of books, and could hardly give out their brightness again until they were kindled for her by the torch of some known joy. Nevertheless, she returned Tito's bow, made to her on entering, with the same pale proud face as ever; but, as he approached, the snow melted, and when he ventured to look towards her again, while Nello was speaking, a pink flush overspread her face, to vanish again almost immediately, as if her imperious will had recalled it. Tito's glance, on the contrary, had that gentle, beseeching admiration in it which is the most