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4
ROMOLA.

The Spirit is clothed in his habit as he lived: the fold of his well-lined black silk garment or lucco hang in grave unbroken lines from neck to ankle; his plain cloth cap, with its becchetto, or long hanging strip of drapery, to serve as a scarf in case of need, surmounts a penetrating face, not, perhaps, very handsome, but with a firm, well-cut mouth, kept distinctly human by a close-shaven lip and chin. It is a face charged with memories of a keen and various life passed below there on the banks of the gleaming river; and as he looks at the scene before him, the sense of familiarity is so much stronger than the perception of change, that he thinks it might be possible to descend once more amongst the streets, and take up that busy life where he left it. For it is not only the mountains and the westward-bending river that he recognizes; not only the dark sides of Mount Morello opposite to him, and the long valley of the Arno that seems to stretch its gray low-tufted luxuriance to the far-off ridges of Carrara; and the steep height of Fiesole, with its crown of monastic walls and cypresses; and all the green and gray slopes sprinkled with villas which he can name as he