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A FACE IN THE CROWD.
151

Zecca. Shaking off old prejudices now, such a procession as that of some four hundred passably ugly men carrying their tapers in open daylight, Diogenes-fashion, as if they were looking for a lost quattrino, would make a merry spectacle for the Feast of Fools."

"Blaspheme not against the usages of our city," said Pietro Cennini, much offended. "There are new wits who think they see things more truly because they stand on their heads to look at them, like tumblers and mountebanks, instead of keeping the attitude of rational men. Doubtless it makes little difference to Maestro Vaiano's monkeys whether they see our Donatello's statue of Judith with their heads or their tails uppermost."

"Your solemnity will allow some quarter to playful fancy, I hope," said Cei, with a shrug, "else what becomes of the ancients, whose example you scholars are bound to revere, Messer Pietro? Life was never anything but a perpetual see-saw between gravity and jest."

"Keep your jest then till your end of the pole is uppermost," said Cennini, still angry, "and that is not when the great bond of our republic is expressing itself in ancient symbols, without which the vulgar—the popolo minuto—would be conscious of nothing beyond their own petty wants of back and stomach, and never rise to the sense of community in religion and law. There has been no great people without processions, and the man who thinks himself too wise