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THE DYING MESSAGE.
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The next moment her eyes met Fra Luca's as they looked up at her from the crucifix, and she was absorbed in that pang of recognition which identified this monkish emaciated form with the image of her fair young brother.

"Dino!" she said, in a voice like a low cry of pain. But she did not bend towards him; she held herself erect, and paused at two yards' distance from him. There was an unconquerable repulsion for her in that monkish aspect; it seemed to her the brand of the dastardly undutifulness which had left her father desolate—of the grovelling superstition which could give such undutifulness the name of piety. Her father, whose proud sincerity and simplicity of life had made him one of the few frank pagans of his time, had brought her up with a silent ignoring of any claims the Church could have to regulate the belief and action of beings with a cultivated reason. The Church, in her mind, belonged to that actual life of the mixed multitude from which they had always lived apart, and she had no ideas that could render her brother's course an object of any other feeling than incurious, indignant contempt. Yet the lovingness of Romola's soul had clung to that image in the past, and while she stood rigidly aloof, there was a yearning search in her eyes for something too faintly discernible.

But there was no corresponding emotion in the face of the monk. He looked at the little sister