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THE DYING MESSAGE.
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by a lantern which was held by some one near the entrance. Several other figures in the dress of the dignified laity were grouped about the same spot. They were some of the numerous frequenters of San Marco, who had come to visit the Prior, and having heard that he was in attendance on the dying Brother in the chapter-house, had awaited him here.

Romola was dimly conscious of footsteps and rustling forms moving aside: she heard the voice of Fra Girolamo, saying, in a low tone, "Our brother is departed;" she felt a hand laid on her arm. The next moment the door was opened, and she was out in the wide piazza of San Marco, with no one but Monna Brigida, and the servant carrying the lantern.

The fresh sense of space revived her, and helped her to recover her self-mastery. The scene which had just closed upon her was terribly distinct and vivid, but it began to narrow under the returning impressions of the life that lay outside it. She hastened her steps, with nervous anxiety to be again with her father—and with Tito—for were they not together in her absence? The images of that vision, while they clung about her like a hideous dream not yet to be shaken off, made her yearn all the more for the beloved faces and voices that would assure her of her waking life.

Tito, we know, was not with Bardo; his destiny was being shaped by a guilty consciousness, urging