as it were, an odour of queenliness;"[1] and she seemed to unfold like a strong white lily under this genial breath of admiration and homage; it was all one to her with her new bright life in Tito's love.
Tito had even been the means of strengthening the hope in Bardo's mind that he might before his death receive the longed-for security concerning his library: that it should not be merged in another collection; that it should not be transferred to a body of monks, and be called by the name of a monastery; but that it should remain for ever the Bardi Library, for the use of Florentines. For the old habit of trusting in the Medici could not die out while their influence was still the strongest lever in the State; and Tito, once possessing the ear of the Cardinal Giovanni de' Medici, might do more even than Messer Bernardo towards winning the desired interest, for he could demonstrate to a learned audience the peculiar value of Bardi's collection. Tito himself talked sanguinely of such a result, willing to cheer the old man, and conscious that Romola repaid those gentle words to her father with a sort of adoration that no direct tribute to herself could have won from her.
This question of the library was the subject of more than one discussion with Bernardo del Nero
- ↑ "Quando una donna è grande, ben formata, porta ben sua persona, siede con una certa grandezza, parla con gravità, ride con modestia, e finalmente getta quasi un odor di Regina; allora noi diciamo quella donna pare una maestà, ella ha una maestà."
Firenzuola: Della Bellezza delle Donne.
