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322
ROMOLA.

have to make a picture in which there would be so much grossness and barbarity that it must be turned with its face to the wall, except when it was taken down for the grave historical purpose of justifying a reforming zeal which, in ignorance of the facts, might be unfairly condemned for its narrowness. Still there was much of that more innocent picturesque merriment which is never wanting among a people with quick animal spirits and sensitive organs: there was not the heavy sottishness which belongs to the thicker northern blood, nor the stealthy fierceness which in the more southern regions of the peninsula makes the brawl lead to the dagger-thrust.

It was the high morning, but the merry spirits of the Carnival were still inclined to lounge and recapitulate the last night's jests, when Tito Melema was walking at a brisk pace on the way to the Via de' Bardi. Young Bernardo Dovizi, wdio now looks at us out of Raphael's portrait as the keen-eyed Cardinal da Bibbiena, was with him; and, as they went, they held animated talk about some subject that had evidently no relation to the sights and sounds through which they were pushing their way along the Por' Santa Maria. Nevertheless, as they discussed, smiled, and gesticulated, they both, from time to time, cast quick glances around them, and at the turning towards the Lung' Arno, leading to the Ponte Rubaconte, Tito had become aware, in one of these rapid surveys, that there was some one not far off him by