closed in now;—all but the narrow track he has left me to tread—alone, in my blindness."
Romola started from her seat, and carried away the large volume to its place again, stung too acutely by her father's last words to remain motionless as well as silent; and when she turned away from the shelf again, she remained standing at some distance from him, stretching her arms downward and clasping her fingers tightly as she looked with a sad dreariness in her young face at the lifeless objects around her—the parchment backs, the unchanging mutilated marble, the bits of obsolete bronze and clay.
Bardo, though usually susceptible to Romola's movements and eager to trace them, was now too entirely pre-occupied by the pain of rankling memories to notice her departure from his side.
"Yes," he went on, "with my son to aid me, I might have had my due share in the triumphs of this century: the names of the Bardi, father and son, might have been held reverently on the lips of scholars in the ages to come; not on account of frivolous verses or philosophic treatises, which are superfluous and presumptuous attempts to imitate the inimitable, such as allure vain men like Panhormita, and from which even the admirable Poggio did not keep himself sufficiently free; but because we should have given a lamp whereby men might have studied the supreme productions of the past. For why is a young man like Poliziano, who was not yet born